Andy Colpitts

Gina Goico

Gina Goico (she/they/ella/elle) is a multidisciplinary artist, educator and self-proclaimed necia. Through their work, Goico navigates their identity and the spaces where they exist in the Dominican Republic and the United States. Through their career they have come to create a diverse body of work that ranges from embroidery to installations, ink drawings and performance. Goico also facilitates spaces for temporary communities and dialogues around healing intergenerational trauma through Love…

Victoria Sorensen

Victoria Pihl Sorensen (she/her/hers) is a Ph.D. student at Cornell University in the Department of Performing and Media Arts minoring in Science and Technology Studies. Her research examines media in public health and social hygiene initiatives in early 20th century Denmark and what this eugenic legacy can tell us about the functions of contemporary social democracy, its myths and meanings, in Denmark as well as in the United States.

Victoria holds an MA in Women’s and Gender Studies from The…

Ariel Dela Cruz

Jonathan Cicoski

Brian V. Sengdala

(he/they pronouns)

Samuel N. W. Blake

Sam Blake (all pronouns welcome) is a scholar/educator/theatre maker and Ph.D. candidate in the Department of Performing and Media Arts at Cornell University. Sam’s dissertation project, tentatively titled Mincing and Screaming: Male and Masculine of Center Identified Femme Performance, examines the history, aesthetics, and politics of what might often be called effeminate performance practices in the 20th century United States. As part of the Ph.D., Sam is pursuing minor concentrations in both…

Andy Colpitts

Andy Colpitts is a theatre artist and scholar from the hills of northern New Hampshire. He holds a BA from Brown University in Theatre & Performance Studies and Comparative Literature and an MA in Performing and Media Arts from Cornell University. His scholarly interests include rural identity, political theatre, nostalgia, and popular performance. His dissertation project, entitled Backcountry Onstage: Rural Theatricality and the Performance of Nostalgia, interrogates the creation and dissemination of idyllic imaginaries of rural New England through everyday and theatrical performance from the late nineteenth century to the present day.

Doorim Kim

Doorim is a versatile artist who explores a wide range of media, including film (fiction, animation, and experimental) and video. Originally from Seoul, South Korea, she is currently based in upstate New York, where she passionately creates art. Her films have garnered significant recognition, being screened at prestigious events such as the Misen-scene Film Festival in Korea, as well as in the United States and various other countries.

Juan Manuel Aldape Muñoz

Dr. Juan Manuel Aldape Muñoz’s research moves across the entanglements created by performance and critical dance studies, illegality and citizenship, borderlands studies, and critical phenomenology. He is an interdisciplinary scholar with a research and teaching focus on creative ethnography and (Afro)Latinx/Latin American undocumented cultural production. His writing can be found inPerformance Philosophy,Theatre Research International,Dance Research Journal, and other publications. In addition to writing about performance’s role in transforming society and ideas of citizenship, he is a choreographer and dancer. Through a creative process he calls “The Expanse,” he makes bilingual performances that have been presented internationally.He’s past managing director of San Francisco’s Festival of Latin American Contemporary Choreographers. He sits on the Board of Directors for the Dance Studies Association.

Milad Sotoudeh

Milad is a researcher interested in studying Iranian cinema with a concentration on feminist and gender studies. He has published peer-reviewed articles in journals such as Feminist Media Studiesand Quarterly Review of Film and Video. He won The Best Article of the Year in the 3rd Annual Iranian Cinematic Research Awardand conducted a research project for Technology Development and Cinema Studies of the Iranian Organization of Cinema on the relationship between Iranian cinema and haptic theory.