Klarman Hall

Sara Warner

Sara Warner (Ph.D., Comparative Literature, Rutgers) is Associate Professor of Performing and Media Arts. The current Director of Cornell's LGBT Studies Program, Sara is an affiliate faculty member in the Feminist, Gender, and Sexual StudiesProgram, American Studies,Africana Studies, and Visual Studies. Her book,Acts of Gaiety:LGBT Performance and the Politics of Pleasure(University of Michigan Press 2012), received theOutstanding Book Award from the Association ofTheater in Higher Education(ATHE), an Honorable Mention for the Barnard Hewitt Award from the AmericanSociety for Theatre Research(ASTR), and was named a Lambda LiteraryAward finalist. Sara has published widely in journals andanthologies on theater and performance studies, queer aesthetics, second wave feminism, politics, prisons, and academic labor. Her cultural criticism can be found in media outlets such asTimeMagazineandHuffington Post.She is the Co-Associate Editor of the book series Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance at the University of Michigan Press.

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Klarman Hall

Amy Villarejo

Amy Villarejo has published widely in cinema and media studies, with research on feminist and queer media, documentary film, Brazilian cinema, Indian cinema, American television, critical theory, and cultural studies.  Her first book, Lesbian Rule:  Cultural Criticism and the Value of Desire (Duke University Press) won the Katherine Singer Kovacs award from the Society for Cinema and Media Studies for best book in the field in 2003.  She has written on Hollywood (Queen Christina, from BFI Publishing) and on television, in her most recent monograph Ethereal Queer:  Television, Historicity, Desire (Duke University Press).  Her work intersects with cultural studies, and, with co-editor Matthew Tinkcom, she has edited a volume exploring that intersection entitled Keyframes (Routledge).  With Jordana Rosenberg, she is co-editor of a special issue of the journal GLQ on “Queer Studies and the Crises of Capitalism.”  For students and general readers interested in cinema and media, she is the author of Film Studies:  The Basics (Routledge) and Film Studies:  A Global Introduction.  Her articles have appeared in journals such as Film Quarterly, Cinema Journal, New German Critique, Social Text, and numerous anthologies and edited collections.  She teaches undergraduate and graduate courses in cinema and media, feminist theory, queer theory, urbanism, television, critical and literary theory, and political art.

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Klarman Hall

Byron Suber

Byron Suber is originally from New Orleans, LA, and moved to Ithaca in 1991 after ten years of living and working in New York City. His work there included performing in dance/theatre/music, original choreography, music, drag, theatre, playwriting, costume design and performance art. His pieces have been exhibited at La MAMA Inc., Performance Space 122, the Kitchen, DANSPACE, the American Dance Festival and The Wigstock music festival. He has received grants and awards from the Harkness Foundation, Art Matters Inc., New York Foundation for the Arts, and the Cornell Council for the Arts. He has taught at the American Dance Festival at Duke University, Dance Space and Steps, in NYC, as well as various universities in the States, France, Italy, Ireland and Spain. Since coming to Cornell he has continued to create work in dance and theatre as well as entering the realm of digital sound and visual media, for instance in collaboration with professors and students from MIT on a pair of digitally wired sneakers that produced music when the dancer moved. At Cornell, Suber teaches ballet and modern technique, yoga, dance history and criticism, dance composition, and digital media. Outside of his position in the Department of Performing and Media Arts, he completed a M.A in the History of Architecture and Urbanism in the School of Art, Architecture and Planning at Cornell.

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