Marvin Carlson Award
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The Department of Performing and Media Arts hosts a yearly contest for The Marvin Carlson Award for Best Student Essay in Theatre or Performance. This award honors CUNY Professor Marvin Carlson (CU PhD '61).
The award consists of a cash prize ($250) and certificate and is given to the best essay in theatre and performance by a Cornell student (graduate or undergraduate).
Essays must be unpublished.
Essays should not exceed 25 pages.
Students may submit only one entry per year.
Entrants should provide four copies of the essay to be considered. Only the title page should contain the student’s name and contact email, as this is a blind submission.
Submissions are due by 4:00 p.m. on March 31, 2017, at the reception desk, second floor of the Schwartz Center. Late entries will not be accepted.
For more information, contact Associate Professor and Chair Nick Salvato at email@example.com.
2016: Kristen Wright, “The Killing of My Mother I Shall Claim Myself: Adrienne Kennedy’s Electra and Orestes, Aeschylus’ Oresteia, and the Question of Justice,” and Stephen Low (honorable mention), “The Liberating Theatrical Femininity of Nina Arsenault”
2015: Erin Stoneking, “(Re)Performing the American Civil War: Time, Memory, and Nation-making in Paula Vogel’s A Civil War Christmas”
2014: Nick Fesette, "Performance, Prison Strike, Zombie: Steve McQueen's Hunger and the 'Reflection Machine'"
2013: Graduate winner: John Robbins, “‘A modest virgin hath no choice’: Joanna Baillie’s The Brideand the Staging of Foreclosure.” Undergraduate winner: Olivia Powell, “Waiting for Recognition: Misrepresentation in Review and Scholarship of Odets’sWaiting for Lefty”
2012: Andrew Bielski, “Spectatorship in the Theatres of Althusser and Badiou”
2011: Jimmy Noriega, "Performing Latin American Responses to 9-11 and Iraq: Political Theatre and Popular Resistance in the Age of Terror"
2010: Alex Black (Gonzales)
2009: Lindsey Cummings, "The Dialects of Affect in Naomi Wallace's One Flea Spare," and Nicholas Tobin Roth (honorable mention), “(Hitch)cock on the Mind: Queer Paranoia and the Practice of Viral Paronomasia in Joe Orton’s Loot"