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PMA 1104 : FWS: The Case of the Female Detective
Semester offered: Spring 2017 Instructor:
"Women don't fit well into a trench coat and slouch hat," Marilyn Stasio has observed, yet female detectives can be found solving crimes and busting bad guys across media. Drawing from TV, film, fiction and theatre, this course explores the ways in which the female detective radically revises the conventions of the crime narrative in which she functions. Interrogating an inherent tension between gender and genre, we'll ask how different media construct female detectives and what gets re-visioned when Miss Marple and Clarice Starling fight violence and restore social order. By engaging with course texts, students will develop strategies for attentive reading and thoughtful writing. Assignments ranging from reviews to research papers will focus on critical thinking, preparation, clear prose, and papers structured around well-supported claims.
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PMA 1130 : FWS: Going Undercover: Radical Undercover Journalism and the (re)creation of Self
Semester offered: Spring 2017 Instructor:
What would it be like to go through life as a completely different person? In order to expose and combat social injustice, journalists have crossed lines of race, gender, age, class and appearance and gone undercover, sometimes risking their reputations, sanity and even their lives. But what are the results of these experiments? Do the ends justify the sometimes ethically questionable means? How does "going undercover" affect an individual or a community? By examining works of John Howard Griffin, Sarah Jones, Morgan Spurlock, Barbara Ehrenreich, Norah Vincent and a variety of identity-probing texts, we examine the complex facets of diverse identities. The course facilitates a range of writing assignments and culminates in students devising and executing their own undercover journalism and research projects.
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PMA 1132 : FWS: Boyfriendtwin: Queer Uncanny Doppelgangers
Semester offered: Spring 2017 Instructor:
Why are two identical people unsettling? "Uncanny" resemblances suggest the strange, even the supernatural. This course will investigate the doppelgänger myth influencing superstitions about un- or supernatural twins across the history of literature, drama, and film. We will look at a diverse selection of materials including Shakespeare, Robert Louis Stevenson, Christopher Nolan, and Joss Whedon. Considering the ways doubles work across styles from The Parent Trap to The Shining, the course concludes with an exploration of the contemporary social phenomenon of "twinning" in queer culture in relation to the long legacy of the double. With an emphasis on in-class discussion and peer editing, this class will foster and enhance each student's ability to produce coherent, concise, persuasive prose in the form of critical arguments.
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PMA 1133 : FWS: Sex Acts: American Drama 1950-Present
Semester offered: Spring 2017 Instructor:
Is sex always a private matter? What constitutes sex and what happens when it is performed in public? This course asks: how does sex in theater and performance contribute to our understandings of identity, power, and community? Grounded in a study of dramatic literature and theatrical spectacles, this course discusses how representations of sex in theater and performance contribute to and challenge prevalent understandings of theater history, intimacy, and what "good" and "bad" theater is. With an emphasis on in-class discussion and peer editing, this class will foster and enhance each student's ability to produce coherent, concise, persuasive prose in the form of critical arguments. Students will analyze examples of performance through the lenses of critical texts drawn from the fields of performance studies, theatre studies, gender and sexuality studies, Black studies, and critical race theory.
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PMA 1135 : FWS: Screen Queens of Comedy
Semester offered: Spring 2017 Instructor:
Joan Rivers has lamented, "Nobody looks at female comedians as groundbreakers or as commentators on what's going on in the world, because we do it with comedy." In this writing seminar, we will take a closer look at various media—including movies, television episodes, and stand-up specials—featuring American comediennes from the 20th and 21st century, and consider how their comedy addresses crucial social issues of their times. From the "fast-talking dames" of thirties' and fourties' cinema, such as Barbara Stanwyck or Rosalind Russell, or the trailblazer stand-up comedian Jackie "Moms" Mabley, to the recent boom in television and web comedy series, we will closely analyze audiovisual materials with a keen eye to their historical, social, and industrial contexts.
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PMA 1200 : Dance Technique I
Crosslisted as: PE 1180 Semester offered: Fall 2017 Instructor:
Entry-level class. Covers the fundamentals of elementary dance training. Movement sequences focusing on rhythm, placement, and vitality of performance through an anatomically sound dance technique.
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PMA 1200 : Dance Technique I
Crosslisted as: PE 1180 Semester offered: Spring 2017 Instructor:
Entry-level class. Covers the fundamentals of elementary dance training. Movement sequences focusing on rhythm, placement, and vitality of performance through an anatomically sound dance technique.
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PMA 1410 : Media Production Laboratory
Semester offered: Spring 2017 Instructor:
The Media Production Lab course is a series of self-contained lecture/workshops on various topics in the production of film and video. The workshops will be a mix of lecture and hands on experience with cameras, lighting and sound equipment. We will cover specific areas such as dollies and rigging, location sound and post production. Open to all skill levels.
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PMA 1410 : Media Production Laboratory
Semester offered: Fall 2017 Instructor:
The Media Production Lab course is a series of self-contained lecture/workshops on various topics in the production of film and video. The workshops will be a mix of lecture and hands on experience with cameras, lighting and sound equipment. We will cover specific areas such as dollies and rigging, location sound and post production. Open to all skill levels.
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PMA 1610 : Production Laboratory
Semester offered: Fall 2017 Instructor:
Learn what it takes to prepare a live show. Students work on getting scenery, costumes, and lighting ready for performance or for production. Gain the practical skills and learn to use the tools that are integral to the presentation of live art.
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PMA 1610 : Production Laboratory
Semester offered: Spring 2017 Instructor:
Learn what it takes to prepare a live show. Students work on getting scenery, costumes, and lighting ready for performance or for production. Gain the practical skills and learn to use the tools that are integral to the presentation of live art.
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PMA 1611 : Rehearsal and Performance
Semester offered: Fall 2017 Instructor:
Perform in a departmental theatre production or dance concert. Research a role, develop a character, and perform for a live audience in a faculty supervised production. Explore choreography and perform in a departmental dance concert.
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PMA 1611 : Rehearsal and Performance
Semester offered: Spring 2017 Instructor:
Perform in a departmental theatre production or dance concert. Research a role, develop a character, and perform for a live audience in a faculty supervised production. Explore choreography and perform in a departmental dance concert.
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PMA 1670 : Student Laboratory Theatre Company
Semester offered: Spring 2017 Instructor:
The Student Laboratory Theatre Company (SLTC) is a group of student-actors who earn credit by acting in three scenes directed by students taking PMA 4880. Students enrolling in SLTC for credit earn 1 credit for two projects and 2 credits for three projects. SLTC also meets with directors once a week. (EP)
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PMA 2220 : Dance Technique II/Modern
Crosslisted as: PE 1183 Semester offered: Fall 2017 Instructor:
Introductory modern technique intended for students with some dance training. Material covered includes specific spinal and center work with attention to rhythm, design, and movement expression.
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PMA 2220 : Dance Technique II/Modern
Crosslisted as: PE 1183 Semester offered: Spring 2017 Instructor:
Introductory modern technique intended for students with some dance training. Material covered includes specific spinal and center work with attention to rhythm, design, and movement expression.
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PMA 2280 : Dance Improvisation
Semester offered: Spring 2017 Instructor:
The training and practice of skills for the spontaneous collaborative composition of movement performance. Students hone their abilities to invent and respond to each other and their environment to produce dances that engage their audience. This course coaxes inspiration, seeking to make it reliable and to keep it surprising. It offers the possibility of "training" one's movement instincts to respond relevantly and with spontaneity.
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PMA 2300 : Beginning Dance Composition
Crosslisted as: PMA 3300, PMA 4300, PMA 4301, VISST 2511 Semester offered: Fall 2017 Instructor:
Weekly assignments in basic elements of choreography. Students compose and present short studies that are discussed and reworked. Problems are defined and explored through class improvisations. Informal showing at end of semester. Includes informal showing of work.
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PMA 2510 : Film Festival Production Lab
Semester offered: Fall 2017 Instructor: Description
PMA 2605 : Theater, Sport, and Spectacle: Performance and Competition in Greece and Rome
Crosslisted as: CLASS 2605 Semester offered: Fall 2017 Instructor:
A study of richly documented tradition of competitive artistic, athletic, and spectacular performances sponsored by cities, wealthy individuals, and kings/emperors in antiquity, with special attention to the ongoing connections and cross-influences between music/theater, athletics, and human/animal combats. We will take our comparative material from the fifth century bce to the late Roman empire. Topics include organizational frameworks, funding sources, associations of performers and their ideologies and rivalries, regulation and hierarchies of audiences, public claques, the adaptation of performance to political events, influence on art, and institutional and intellectual opposition. Evidence will include ancient treatises, inscriptions, mosaics, wall-paintings, and terracottas; all source readings available in English.
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PMA 2610 : Production Crew Laboratory
Semester offered: Spring 2017 Instructor:
Learn what it means to run a live show or a film festival. Participate as part of a team to ensure all the elements work together and on time. Learn the intricacies of collaborating with a production group to create a unified artistic vision. Program lighting, sound, or video boards, or participate as a dresser, stage crew member, assistant stage manager, production assistant or projectionist.
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PMA 2610 : Production Crew Laboratory
Semester offered: Fall 2017 Instructor:
Learn what it means to run a live show or a film festival. Participate as part of a team to ensure all the elements work together and on time. Learn the intricacies of collaborating with a production group to create a unified artistic vision. Program lighting, sound, or video boards, or participate as a dresser, stage crew member, assistant stage manager, production assistant or projectionist.
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PMA 2611 : Stage Management Laboratory
Semester offered: Spring 2017 Instructor:
Practical experience in the organization and management of a theatrical production as an assistant stage manager for a fully supported department production under the supervision of the staff stage manager.
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PMA 2611 : Stage Management Laboratory
Semester offered: Fall 2017 Instructor:
Practical experience in the organization and management of a theatrical production as an assistant stage manager for a fully supported department production under the supervision of the staff stage manager.
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PMA 2640 : Theatrical Makeup Studio
Semester offered: Spring 2017 Instructor:
This course introduces students to basic two-dimensional techniques of makeup design and application for the stage including corrective, old age, youth, likeness, cross gender, and animal makeups. The process of stylizing imagery in makeup design is explored.  Students will also work with false facial hair.
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PMA 2670 : Shakespeare
Crosslisted as: ENGL 2270 Semester offered: Fall 2017 Instructor:
This class aims to give students a good historical and critical grounding in Shakespeare's drama and its central place in Renaissance culture. We read ten plays covering the length of Shakespeare's career: comedies, history plays, tragedies, and romances, including The Merchant of Venice, Twelfth Night, The Tempest, Othello, King Lear, Richard II, Henry IV Part One, and Henry V. Our study will include attention to dramatic forms, Shakespeare's themes, and social and historical contexts, including early modern English theater history. The course combines lectures and hands-on work in weekly discussions focused on performance, close reading, and questions raised by the plays. We will also view some film adaptations of Shakespeare.
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PMA 2680 : Desire
Crosslisted as: COML 2760, ENGL 2760, FGSS 2760, LGBT 2760 Semester offered: Spring 2017 Instructor:
"Language is a skin," the critic Roland Barthes once wrote: "I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire." Sexual desire has a history, even a literary history, which we will examine through an introductory survey of European dramatic literature from Plato and Aristophanes to Jean Genet and Caryl Churchill, as well as a survey of classic readings in Western sexual theory from the Ancient Greeks through Sigmund Freud and Michel Foucault to recent feminist and queer theory.
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PMA 2681 : Shakespeare and the Twentieth and Twenty-First Centuries
Crosslisted as: ENGL 2080 Semester offered: Spring 2017 Instructor:
What can we learn about Shakespeare's plays from their reception by late modernity? What can we learn about modern cultures from the way they appropriate these texts and the Shakespeare mystique? We will study five plays and their adaptations in film and theater and explore the uses made of Shakespeare in education, advertising, and public culture and by the Shakespeare industry itself. For spring 2017: Richard III, Othello, Macbeth, Taming of the Shrew, and Midsummer Night's Dream, with films or filmed productions directed by Richard Loncraine, Trevor Nunn, Janet Suzman, George Sidney, Max Reinhardt, and Adrian Noble. For updates, see http://courses.cit.cornell.edu/sad4449/2080/.
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PMA 2800 : Introduction to Acting
Semester offered: Fall 2017 Instructor:
An introduction to the actor's technique and performance skills, exploring the elements necessary to begin training as an actor, i.e., observation, concentration, and imagination. Focus is on physical and vocal exercises, improvisation, and text and character. There is required play reading, play attendance, and some scene study.
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PMA 2800 : Introduction to Acting
Semester offered: Spring 2017 Instructor:
An introduction to the actor's technique and performance skills, exploring the elements necessary to begin training as an actor, i.e., observation, concentration, and imagination. Focus is on physical and vocal exercises, improvisation, and text and character. There is required play reading, play attendance, and some scene study.
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PMA 2830 : The Expressive Voice
Semester offered: Spring 2017 Instructor:
This course introduces students to the primary components of vocal technique in performance.  Over the course of the semester, students will work through a series of vocal exercises which provide the basis for good vocal practice and mediated performance contexts.
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PMA 3000 : Independent Study
Semester offered: Fall 2017 Instructor:
Independent study allows students the opportunity to pursue special interests not treated in regularly scheduled courses. A faculty member, who becomes the student's instructor for the course, must approve the student's program of study and agree to provide continuing supervision of the work. Students must fill out the online Independent Study form at https://data.arts.cornell.edu/as-stus/indep_study_intro.cfm.
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PMA 3000 : Independent Study
Semester offered: Spring 2017 Instructor:
Independent study allows students the opportunity to pursue special interests not treated in regularly scheduled courses. A faculty member, who becomes the student's instructor for the course, must approve the student's program of study and agree to provide continuing supervision of the work. Students must complete a PMA Independent Study proposal form. Once the proposal is approved by the PMA Curriculum Committee, students must fill out the A&S Independent Study enrollment form.
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PMA 3210 : Dance Technique III/Classical
Crosslisted as: PE 1184 Semester offered: Fall 2017 Instructor:
Intermediate Western classical dance technique. Work is done on strengthening the body through a movement technique emphasizing presence and musicality based on harmonic muscular control.
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PMA 3210 : Dance Technique III/Classical
Crosslisted as: PE 1184 Semester offered: Spring 2017 Instructor:
Intermediate Western classical dance technique. Work is done on strengthening the body through a movement technique emphasizing presence and musicality based on harmonic muscular control.
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PMA 3220 : Dance Technique III/Modern
Crosslisted as: PE 1185 Semester offered: Fall 2017 Instructor:
Intermediate modern technique focusing on rhythm, placement, and phrasing for students who are prepared to refine the skills of dancing. Students are challenged by complex phrases and musicality.
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PMA 3220 : Dance Technique III/Modern
Crosslisted as: PE 1185 Semester offered: Spring 2017 Instructor:
Intermediate modern technique focusing on rhythm, placement, and phrasing for students who are prepared to refine the skills of dancing. Students are challenged by complex phrases and musicality.
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PMA 3225 : Mapping the Moving Body I
Crosslisted as: PMA 4225 Semester offered: Spring 2017 Instructor:
This course will explore questions of how we perceive articulations of identity on the moving body. How do histories and cultural behaviors define differences? What are the conventions of race, gender, and sexuality as we follow the body in performance across borders? With the use of text, film, and the fine arts, the class will in collaboration conceive, choreograph, and perform an original body of work.
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PMA 3225 : Mapping the Moving Body I
Crosslisted as: PMA 4225 Semester offered: Fall 2017 Instructor:
This course will explore questions of how we perceive articulations of identity on the moving body. How do histories and cultural behaviors define differences? What are the conventions of race, gender, and sexuality as we follow the body in performance across borders? With the use of text, film, and the fine arts, the class will in collaboration conceive, choreograph, and perform an original body of work.
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PMA 3226 : Global Dance I
Semester offered: Fall 2017 Instructor:
How does the social production of dance reflect its historical context?  What is the meaning of the "beautiful" in dance?  Beginning with 16th century court dances, we will explore how aesthetics have been aligned both with and against politics in various periods and genres of the performing body, looking at dance as insiders diplomacy and outsiders rebellion.  Is postmodern dance a discouse of traditions?  This course is designed to promote a critical appreciation of dance, its values and its ambitions, by developing a historical and cultural understanding.
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PMA 3227 : Global Dance II
Crosslisted as: VISST 3227 Semester offered: Spring 2017 Instructor:
This course maintains a critical focus on the role of the moving body in the history of dance offering comparisons in theatre, film and other forms of media and live performance. Moving from the 16th century to present day, particular attention will be directed to the use of abstraction versus narrative and the role of process in the creation of body-centered works. Working both chronologically and conceptually, topics such as utopia, narrative impulse, technology, comparative modernities, political and social theory will enter the discussion. Attendance to live performance, film screenings, music concerts, museum visits and architectural and urban site visits will be required.
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PMA 3300 : Intermediate Dance Composition I
Crosslisted as: PMA 2300, PMA 4300, PMA 4301, VISST 2511 Semester offered: Fall 2017 Instructor:
Intermediate choreographic projects are critiqued in progress by faculty and peers. Consideration of design problems in costuming and lighting.  Weekly assignments in basic elements of choreography. Students compose and present short studies that are discussed and reworked. Problems are defined and explored through class improvisations. Informal showing at end of semester. Includes informal showing of work.
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PMA 3351 : Transpositioning the Body I
Crosslisted as: PMA 4351 Semester offered: Fall 2017 Instructor:
This course will cultivate collaborations between the practice and study of dance with fields such as architecture, engineering, landscape architecture, painting, digital arts, and other design and creative fields. The process of movement creation, spatial definition, and spatial analyses will be paralleled and interchanges will be made on a continual basis between chosen fields for each semester. Transposing between two, three, and four dimensional representations, concepts of framing, language (vocabulary), historical processes, concepts of performance and performativity, and concepts of audience are some of the topics that will be examined.
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PMA 3351 : Transpositioning the Body I
Crosslisted as: PMA 4351 Semester offered: Spring 2017 Instructor:
This course will cultivate collaborations between the practice and study of dance with fields such as architecture, engineering, landscape architecture, painting, digital arts, and other design and creative fields. The process of movement creation, spatial definition, and spatial analyses will be paralleled and interchanges will be made on a continual basis between chosen fields for each semester. Transposing between two, three, and four dimensional representations, concepts of framing, language (vocabulary), historical processes, concepts of performance and performativity, and concepts of audience are some of the topics that will be examined.
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PMA 3410 : Screening Cosa Nostra: The Mafia and the Movies from Scarface to The Sopranos
Crosslisted as: ITAL 3010 Semester offered: Spring 2017 Instructor:
From Al Capone to Tony Soprano, the mafia has been the subject of numerous films over the course of 70 years, so many in fact that one might well speak of a "mafia obsession" in American popular culture. Drawing upon a large number of American and Italian films, this course examines the cultural history of the mafia through film. We will explore issues related to the figure of the gangster, the gender and class assumptions that underpin it, and the portrayal-almost always stereotypical-of Italian-American immigrant experience that emerges from our viewings. The aim will be to enhance our understanding of the role of mafia plays in American and Italian culture in the 20th and 21st centuries. Film screenings will include Little Caesar, Scarface, Shame of the Nation, The Godfather Parts I and II, Goodfellas, The Funeral, Donnie Brasco, episodes from The Sopranos, and Gomorrah.
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PMA 3421 : Literary Theory on the Edge
Crosslisted as: COML 3021, ENGL 3021 Semester offered: Spring 2017 Instructor:
This course juxtaposes the exciting theoretical advances of the late 20th century, including structuralism and post-structuralism, with current developments in 21st century theory such as performance studies, media theory, digital studies, trauma theory, transgender studies, and ecocriticsm. Taught by two Cornell professors active in the field, along with occasional invited guests, lectures and class discussions will pay close attention to the differences among mediatic systems in the texts we read as well as the uniqueness and complexity of language in its various forms. The course may involve presentation of performance art.
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PMA 3431 : Gender and Sexuality in Southeast Asian Cinema
Crosslisted as: ASIAN 3331, ASIAN 6631, FGSS 3331, FGSS 6331, LGBT 3331, LGBT 6331, RELST 3331 Semester offered: Fall 2017 Instructor:
Examines the new cinemas of Southeast Asia and their engagement with contemporary discourses of gender and sexuality. It pays special attention to the ways in which sexuality and gendered embodiment are at present linked to citizenship and other forms of belonging and to how the films draw on Buddhist and Islamic traditions of representation and belief. Focusing on globally circulating Southeast Asian films of the past 15 years, the course draws on current writings from feminism, Buddhist studies, affect theory, queer studies, postcolonial theory, and film studies to ask what new understandings of subjectivity might emerge from these cinemas and their political contexts. Films will be drawn from both mainstream and independent cinema and will include the work of directors such as Apichatpong Weerasethakul, Danny and Oxide Pang, Yau Ching, Thunska Pansittivorakul, Garin Nugroho, and Jean-Jacques Annaud.
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PMA 3441 : Edge Cities: Celluloid New York and Los Angeles
Crosslisted as: AMST 3812, ARCH 3819, VISST 3812 Semester offered: Fall 2017 Instructor:
Anchoring the east and west coasts, New York and Los Angeles have been celebrated and excoriated in films. On the edge literally and metaphorically, these cities seem to be about competing visions of urban form, culture, and modernity. And the iconic forms of New York (tenements and skyscrapers) and of Los Angeles (highways and suburban homes) have fascinated film makers from the 19th century to the present day. We will both evoke and complicate the contrast between New York and Los Angeles by mapping the intersections of each city with cinema. We explore how the urban experience has been said to give rise to particular cinematic forms and the ways in which cinematic styles may be translated into urban design. Topics may include density and sprawl; place and creativity; class and ethnicity; race and gender; culture and commercialism; industrial and media economies; and insularism and cosmopolitanism. Screenings will include documentary, experimental, and commercial films and cover such genres as early actualities, city symphonies, film noir, science fiction, etc. Readings will be drawn from theories and histories of film, urbanism, and architecture. Possible field trips.
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PMA 3461 : Introduction to African American Cinema
Crosslisted as: AMST 3461, VISST 3461 Semester offered: Fall 2017 Instructor:
This course explores the rich and diverse history of African American filmmaking.  Focusing on films written and/or directed by African Americans, this seminar traces the history of filmmaking from the silent era to the present day.  In exploring Black cultural production and creative expression, students will consider the ways in which film is used as a medium of protest, resistance, and cultural affirmation.  We will look at films through the critical lenses of race and representation in American cinema while locating our analysis within larger frameworks of Hollywood's representation of African Americans and various cultural and social movements within local and global contexts.
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PMA 3463 : Contemporary Television
Semester offered: Fall 2017 Instructor:
This course considers issues, approaches, and complexities in the contemporary television landscape. As television has changed drastically over the past fifteen years, this course provides students with a deeper understanding of the changes in narratives, technologies, forms, and platforms that structure/restructure the televisual world. Students will grapple with how "new media" forms such as web-series and on-demand internet streaming services have changed primetime television. We will balance our look at television shows with nuanced readings about the televisual media industry. By watching, analyzing, and critiquing the powerful medium of television, students will situate their understanding within a broader consideration of the medium's regulation, production, distribution, and reception in the network and post-network era.
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PMA 3481 : Imagining Migration in Film and Literature
Crosslisted as: AMST 3581, COML 3580, GERST 3581, VISST 3581 Semester offered: Spring 2017 Instructor:
What role should imaginative arts play in debates about transnational migration, one of the principal factors re-shaping community and communication today?  Focusing on literature and film from the late 20th and early 21st centuries, with primary examples drawn from Germany, France and the United States—in relation to Turkey, Hungary, Tunisia, Iran, Nigeria, China, Mexico, and Japan—this course explores how creative arts rework the fabric of social life affected by migration.  Seminar-style discussion of assigned readings and viewings, with occasional lectures on other arts and regions.  Thematic units organized around key concepts such as borders and movement, ethnoscapes and citizenship, reading and viewing, labor and leisure, cityscapes and place-making, mediascapes and personhood, lawfulness and illegality, language and speech, art and perception. 
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PMA 3514 : Cinema of the Weimar Republic
Crosslisted as: GERST 3515, VISST 3515 Semester offered: Fall 2017 Instructor: Description
PMA 3520 : Light and Image
Crosslisted as: VISST 3520 Semester offered: Fall 2017 Instructor:
Light is the fundamental building block of all visual media. Whether a photographer, filmmaker, videographer, YouTube poster, or other maker of images, the strategic use of light can tell your story better, move your audience more deeply, and shape your composition more effectively. This studio course will take a hands-on approach to exploring different techniques of lighting, including location, kit, and grid systems. We will engage with both aesthetic and technical aspects of light. Students will come away with a deeper understanding of and appreciation for how light fundamentally affects and gives meaning to how we see the world.
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PMA 3531 : Screenwriting I
Semester offered: Spring 2017 Instructor:
This course explores the fundamentals of writing for the screen. The class format will include creative writing assignments, class discussion, screenings and workshop. Students will produce short film scripts, film analysis papers and feedback on student work. The semester will culminate in a revision of a longer film script and presentation.
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PMA 3531 : Screenwriting I
Semester offered: Fall 2017 Instructor:
This course explores the fundamentals of writing for the screen. The class format will include creative writing assignments, class discussion, screenings and workshop. Students will produce short film scripts, film analysis papers and feedback on student work. The semester will culminate in a revision of a longer film script and presentation.
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PMA 3532 : Screenwriting II
Semester offered: Spring 2017 Instructor:
Focuses on the structure and style of the original web-series and long-form short screenplay, and incorporates extensive peer feedback, workshop, and revision. Students will produce and revise an original long short film and show pilot, in addition to crafting a log-line, treatment, and pitch for their film.​
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PMA 3533 : Screen and Story: Script Analysis
Crosslisted as: AMST 3533 Semester offered: Fall 2017 Instructor:
This course will consider the history, theory and craft of feature film screenwriting. We will examine the vital elements of effective motion picture narrative (protagonist, pathos, objective, action), along with structural principles, genre conventions and emerging non-linear ideas. This is primarily a readings course (history/theory/criticism rubric), which will address effective screenwriting in a cultural and critical context.
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PMA 3550 : Global Cinema I
Crosslisted as: PMA 6550, VISST 3175 Semester offered: Fall 2017 Instructor:
Global Cinema I and II together offer an overview of international film history from the late nineteenth century to today. Through a focus on key films and significant epochs, the course traces the evolution of form, style and genre, the medium's changing technologies and business models, as well as film's relation to broader cultural, social and political contexts. Screenings of narrative, documentary and experimental films will be accompanied by readings in film theory and history. Global Cinema I covers the period from 1895 to 1960. Precise topics will vary from year to year, but may include: early silent cinema; the emergence of Hollywood as industry and a "classical" narrative form; Soviet, German, French and Chinese film cultures; the coming of sound; interwar documentary and avant-garde movements; American cinema in the age of the studio system; Italian Neorealism; the post-war avant-garde.
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PMA 3551 : Global Cinema II
Crosslisted as: PMA 6551, VISST 3176 Semester offered: Spring 2017 Instructor:
Global Cinema I and II together offer an overview of international film history from the late nineteenth century to today. Through a focus on key films and significant epochs, the course traces the evolution of form, style and genre, the medium's changing technologies and business models, as well as film's relation to broader cultural, social and political contexts. Screenings of narrative, documentary and experimental films will be accompanied by readings in film theory and history.
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PMA 3570 : Introduction to Visual Storytelling
Semester offered: Fall 2017 Instructor:
Creative, hands-on production course in filmmaking, emphasizing the development of original ideas and the acquisition of basic technical skills in digital video and 16mm formats: cinematography, lighting, sound recording, and digital editing. Students complete several exercises and two short projects exploring narrative, documentary, experimental, or animation forms, and a final project, which is shown in a public, open-campus screening at the end of the semester.
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PMA 3571 : Documentary Filmmaking
Semester offered: Fall 2017 Instructor: Description
PMA 3601 : Staging Combat: Technique, Staging, Analysis
Semester offered: Fall 2017 Instructor: Description
PMA 3609 : Making Theatre: Rehearsal and Production Techniques
Semester offered: Fall 2017 Instructor:
This is a variable credit learning experience for students engaged in creating productions in the Department of Performing and Media Arts.  Students may act, assistant direct, assistant stage manage, or pursue dramaturgical research and will learn through various channels (lecture, discussion, participation in rehearsal, individual and group research) how to think about and realize artistic choices, appreciate the discipline and demands of theatrical craft, be exposed to the uncertainty required to experiment and explore in rehearsal, and understand more fully the strategies through which a collaborative team can realize a shared vision.  Assessment of this course will include audience response to a public performance that will be the end product of this creative collaboration. This complex, pedagogical journey will be guided by an experienced, faculty director/teacher who will be responsible for creating a process of production that assures learning for each student enrolled.   
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PMA 3610 : Intermediate Production Laboratory
Semester offered: Spring 2017 Instructor:
Collaborate with a faculty member in the development and production of a live event, in a mentored role of Assistant Designer, Assistant Director, or Assistant Choreographer.
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PMA 3610 : Intermediate Production Laboratory
Semester offered: Fall 2017 Instructor:
Collaborate with a faculty member in the development and production of a live event, in a mentored role of Assistant Designer, Assistant Director, or Assistant Choreographer.
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PMA 3614 : Creative Character Design
Semester offered: Fall 2017 Instructor:
A studio course working on the creation and development of characters on paper. The character designs explored will not be bound by the limits of the human body or physical costumes, but rather will push the limits of character imagery to that which could ultimately be achieved in print illustration, sequential art, traditional animation, digital special effects and animation, video gaming, various forms of puppetry and animatronic forms, depending on the student's area of interest. (Students will not engage in animation, or three-dimensional crafting of characters, but rather will develop the design content that could then be applied to these forms). Confident drawing skill is expected.
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PMA 3616 : The Body of Fashion: A Head-to-Toe Journey through the History of Western Dress
Semester offered: Fall 2017 Instructor:
This course explores the evolution of western dress from the time of the ancient Egyptians to the early twentieth century by focusing on areas of the human anatomy and how each area has been presented, comported, supported, augmented, confined, or manipulated in costume.  Rather than indulging in the strange, we will endeavor to come to an understanding of the motivation for each gesture or the catalyst for each phenomenon in the context of the period, taking into consideration social, political, economic, environmental, technological, and aesthetic influences.
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PMA 3620 : Lighting Design Studio I
Crosslisted as: VISST 3620 Semester offered: Fall 2017 Instructor:
The theory and practice of lighting design as a medium for artistic expression. This course explores the aesthetic and mechanical aspects of light and their application in a variety of disciplines. Emphasis is on understanding lighting's function in an environment and manipulating light effectively. Artistic style and viewpoint are also covered.
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PMA 3640 : Scenic Design Studio
Semester offered: Fall 2017 Instructor:
An exploration of the scene design process for the live theatre. Students will execute design projects employing various media (e.g., sketches, paper models, computer graphics) that examine how elements of stage craft, architecture, and interior design can be employed to support and enhance the action of dramatic texts.
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PMA 3641 : Film Production Design Studio: Designing the Next Batman Film
Semester offered: Fall 2017 Instructor:
Students will research, analyze and compare the design elements of architecture, interior design, costume, lighting, weaponry, technology, and popular culture within the various media presentations of "Batman" and relate the themes and aesthetics of those presentations to the social, political, and economic environment of the times in which they were created. Students will study and practice graphic communication and presentation skills in their particular design area of interest, culminating in a final design project that supports a particular film sequence for a select scene in a published, yet to be produced, screenplay for a Batman film.
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PMA 3641 : Film Production Design Studio: Designing the Next Batman Film
Semester offered: Spring 2017 Instructor:
Students will research, analyze and compare the design elements of architecture, interior design, costume, lighting, weaponry, technology, and popular culture within the various media presentations of "Batman" and relate the themes and aesthetics of those presentations to the social, political, and economic environment of the times in which they were created. Students will study and practice graphic communication and presentation skills in their particular design area of interest, culminating in a final design project that supports a particular film sequence for a select scene in a published, yet to be produced, screenplay for a Batman film.
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PMA 3650 : Automated Lighting and Control Systems
Semester offered: Spring 2017 Instructor:
Covers the understanding and application of light control technologies, including electrical systems, color, optics, dimming protocols, and console programming. Students complete a series of projects culminating in the programming and use of moving fixtures and lighting visualization software.
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PMA 3660 : Costume Design Studio
Semester offered: Spring 2017 Instructor:
Design of costumes for theatre and film, concentrating on script and character analysis, period research, design elements, figure drawing and rendering skills, and an understanding of production style.
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PMA 3670 : Themed Entertainment: The Technical Perspective
Semester offered: Fall 2017 Instructor:
Exploration into the integration of art and science in today's theme parks and interactive entertainment attractions. Papers, projects, and discussions deal with planning and development aspects of large-scale entertainment projects including architecture, engineering, construction, and attraction installation. Focus is on the specialized entertainment technologies that make these attractions work: audio and lighting design, ride and show control systems, and special effects.
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PMA 3671 : Stagecraft Studio
Semester offered: Fall 2017 Instructor:
Exploration of the techniques and practice of theatre operation, scenic construction, stage mechanics, rigging, painting, and model building.
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PMA 3672 : Raising Million$$: Special Events Production, Design and Logistics
Semester offered: Spring 2017 Instructor: Description
PMA 3680 : Sound Design
Crosslisted as: MUSIC 3431 Semester offered: Fall 2017 Instructor:
Covering the basics of digital audio, bioacoustics, psychoacoustics and sound design, as they apply to theatre, film and music production.  Students create soundscapes for text and moving image using ProTools software.
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PMA 3680 : Sound Design
Crosslisted as: MUSIC 3431 Semester offered: Spring 2017 Instructor:
Covering the basics of digital audio, bioacoustics, psychoacoustics and sound design, as they apply to theatre, film and music production.  Students create soundscapes for text and moving image using ProTools software.
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PMA 3724 : The Tragic Theatre
Crosslisted as: CLASS 3645, COML 3440 Semester offered: Fall 2017 Instructor:
Tragedy and its audiences from ancient Greece to modern theater and film. Topics: origins of theatrical conventions; Shakespeare and Seneca; tragedy in modern theater and film. Works studied will include: Aeschylus' Agamemnon; Sophocles' Oedipus Tyrannus, Philoctetes; Euripides' Alcestis, Helen, Iphigeneia in Aulis, Orestes; Seneca's Thyestes, Trojan Women; Shakespeare's Julius Caesar, Titus Andronicus, Othello; Strindberg's The Father; Durrenmatt's The Visit; Bergman's Seventh Seal; Cacoyannis' Iphigeneia.
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PMA 3746 : The Modernist Stage: Plays/Theories/Practices
Crosslisted as: COML 3746 Semester offered: Spring 2017 Instructor:
The modernist period saw profound transformations in the form, content, and staging of drama, as well as in ideas about theatre and society that remain important today.  We will explore the development of theatrical realism, expressionism, symbolism, and other avant-garde movements through both plays of the era and theoretical writings on drama, performance, and design.  Readings will include works by and about Buchner, Ibsen, Strindberg, Jarry, Shaw, Appia, Stanislavski, Chekhov, Artaud, Brecht, and Beckett.  All readings will be in English.
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PMA 3747 : Staging Faith: Contemporary Theatre and Lived Religions
Crosslisted as: AMST 3747, ENGL 3947, FGSS 3747, RELST 3747 Semester offered: Fall 2017 Instructor:
Religious beliefs, practices, and conflicts shape our world and influence global politics.  Yet mediatized depictions of religion can be reductive and polarizing.  Moreover, these depictions may be different from what people experience in their everyday lives.  In the contemporary theatre, we have the opportunity to consider representations of individuals' lived religion, the complex questions of belief, and challenges to faith from within and outside religious communities.  Through close readings of plays and related materials engaging with Christian, Jewish, Muslim, Sikh and other faith traditions, we will explore and discuss together the religious motivations, tensions, and dilemmas facing us today.  Our texts include, among others, Jesus Christ Superstar, Disgraced, Angels in America, and Harry Potter and the Cursed Child.
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PMA 3750 : Global Stages I
Semester offered: Fall 2017 Instructor:
This course is designed to introduce students to a range of historical, cross-cultural, and transnational performance texts, theories, and practices; to motivate students to examine the broad social, political, cultural, and economic contexts in which performances take place; and to familiarize students with the major methodologies and paradigms for the creation, spectatorship, and interpretation of embodied performances. Our investigations of these issues will be routed through three organizing concepts: ritual, realism, and revolution.
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PMA 3751 : Global Stages II
Semester offered: Spring 2017 Instructor:
This course is designed to introduce students to a range of historical, cross-cultural, and transnational performance texts, theories, and practices; to motivate students to examine the broad social, political, cultural, and economic contexts in which performances take place; and to familiarize students with the major methodologies and paradigms for the creation, spectatorship, and interpretation of embodied performances. Our investigations of these issues will be routed through three organizing concepts: conquest, commerce, and community.
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PMA 3754 : Spoken Word, Hip-Hop Theater, and the Politics of the Performance
Crosslisted as: AMST 3754, ENGL 3954, FGSS 3754, LGBT 3754, LSP 3754 Semester offered: Fall 2017 Instructor:
In this course, we will critically examine the production and performance of race, ethnicity, sexuality, and gender through literature and contemporary performance genres such as spoken word, slam poetry, and hip-hop theatre.
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PMA 3800 : Acting II
Semester offered: Spring 2017 Instructor:
Practical exploration of the actor's craft through exercises in physical and psychological action, improvisation and scene study.
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PMA 3800 : Acting II
Semester offered: Fall 2017 Instructor:
Practical exploration of the actor's craft through exercises in physical and psychological action, improvisation and scene study.
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PMA 3805 : Playwriting I
Semester offered: Fall 2017 Instructor:
In this introductory class, students will study elements of successful dramatic writing: strong structure, effective dialogue, and imaginative theatricality. Students will craft and revise short plays, in addition to drafting several short assignments and one analytical paper. Readings include full-length and 10-minute plays. Through giving and receiving constructive feedback, each writer will aim to take their work to new levels of complexity, theatricality, and meaning.
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PMA 3806 : Uncanny Figures and Unsettled Places: Postcolonial and Transnational Drama
Crosslisted as: COML 3806, FGSS 3806 Semester offered: Spring 2017 Instructor:
Postcolonialism and Transnationalism are significant fields of theory and criticism, and ones not currently the main focus of contemporary drama classes offered through PMA. This course is being created to compliment existing history/theory classes that introduce postcolonial ideas in less detail, and to provide students with significant exposure to postcolonial texts and ideas applicable to their broader study of contemporary theatre and performance.
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PMA 3815 : Acting in Public: Performance in Everyday Life
Semester offered: Spring 2017 Instructor:
Telling jokes to a friend, making introductions, guiding meetings large and small, constructing and delivering business presentations, legal arguments or formal speeches are all examples of public performances.  The purpose of this course is to increase the student's effectiveness in meeting the demands and enjoying the opportunities of public performance.  The focus of this course is the student him/herself. What are the hallmarks of effective performance and how can you learn them? Employing techniques from actor/director training as well as dramatic writing, this course focuses the student on their own resources and self-imposed restrictions as a public speaker in everyday life. Subjects explored will include stage presence, audience connection, stage fright and mannerisms, speech making as storytelling, and gaining familiarity and finding comfort with one's own voice and gestures.  Public speaking will be taught as a craft that can be learned through understanding and practice.Acting skill and experience are not required to take this course.   Students must, however, be willing to attend all classes and learn by doing.  Class size limited to 12 students.
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PMA 3815 : Acting in Public: Performance in Everyday Life
Semester offered: Fall 2017 Instructor:
Telling jokes to a friend, making introductions, guiding meetings large and small, constructing and delivering business presentations, legal arguments or formal speeches are all examples of public performances.  The purpose of this course is to increase the student's effectiveness in meeting the demands and enjoying the opportunities of public performance.  The focus of this course is the student him/herself. What are the hallmarks of effective performance and how can you learn them? Employing techniques from actor/director training as well as dramatic writing, this course focuses the student on their own resources and self-imposed restrictions as a public speaker in everyday life. Subjects explored will include stage presence, audience connection, stage fright and mannerisms, speech making as storytelling, and gaining familiarity and finding comfort with one's own voice and gestures.  Public speaking will be taught as a craft that can be learned through understanding and practice.Acting skill and experience are not required to take this course.   Students must, however, be willing to attend all classes and learn by doing.  Class size limited to 12 students.
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PMA 3865 : On the Fringe - New Plays in Development
Semester offered: Fall 2017 Instructor:
A laboratory approach to new plays involving text analysis, scene work, and interactions with the authors of unproduced work. Authors who agree to participate with the class will submit plays for study and rehearsal. Authors will be included in discussions of the work via SKYPE and other Internet tools. The course will work with various theatres and new play networks in selecting plays and authors. At least one Cornell playwright will be included in each semester. Whenever possible, international writers will be part of the makeup of the class.
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PMA 3880 : Fundamentals of Directing I
Crosslisted as: VISST 3798 Semester offered: Fall 2017 Instructor:
Focused, practical exercises teach the student fundamental staging techniques that bring written text to theatrical life. A core objective is to increase the student's awareness of why and how certain stage events communicate effectively to an audience. Each student directs a number of exercises as well as a short scene.
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PMA 4000 : Senior Studio
Semester offered: Fall 2017 Instructor:
In this advanced undergraduate-level seminar, all senior majors synthesize four years of study in a collaborative intellectual and artistic project with the faculty. Over the course of the fall semester, students conceive and produce work for presentation to the public in the Schwartz Center for the Performing Arts. Students also generate a supporting scholarly matrix for that work, and their collective genesis of material integrates the major's four rubrics (history, theory, and criticism; creative authorship; design; and embodied performance). As a crucible for artistic and intellectual collaboration, the senior studio may emphasize an area of study, a period, a text, or a theme. The studio's organizing emphasis will be specific to ongoing, pressing inquiries in the disciplines of performing and media arts.
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PMA 4222 : Advanced Dance Technique
Semester offered: Fall 2017 Instructor:
Advanced and pre-professional advanced ballet and modern technique. This class meets 4 days per week. This course is a combination of PMA 3210 and PMA 3220 in the same semester.  Attendance to concerts and related presentations, and short critical analysis of those events are required.
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PMA 4222 : Advanced Dance Technique
Semester offered: Spring 2017 Instructor:
Advanced and pre-professional advanced ballet and modern technique. This class meets 4 days per week. This course is a combination of PMA 3210 and PMA 3220 in the same semester.  Attendance to concerts and related presentations, and short critical analysis of those events are required.
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PMA 4225 : Mapping the Moving Body II
Crosslisted as: PMA 3225 Semester offered: Fall 2017 Instructor:
This course will continue the critical inquiry investigated in Mapping the Moving Body. Intended for advanced students, it will address the dialogue between contemporary choreography and current sociopolitical theory. The class will choose to study one choreographer or theorist whose negotiations across critical boundaries of the global, postmodern space will afford a framework for the making of an original, collaborative work.
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PMA 4225 : Mapping the Moving Body II
Crosslisted as: PMA 3225 Semester offered: Spring 2017 Instructor:
This course will continue the critical inquiry investigated in Mapping the Moving Body. Intended for advanced students, it will address the dialogue between contemporary choreography and current sociopolitical theory. The class will choose to study one choreographer or theorist whose negotiations across critical boundaries of the global, postmodern space will afford a framework for the making of an original, collaborative work.
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PMA 4230 : Pre-Professional Technique & Repertory
Semester offered: Fall 2017 Instructor:
Pre-professional/Advanced ballet or modern technique with modern and contemporary ballet company repertory rehearsal and performances. This class meets 2 days per week, 3 hrs. 10 minutes per day with additionally scheduled rehearsal and performance times TBA. This course is a continuation of, and supplement to, PMA 3210 and PMA 3220.
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PMA 4230 : Pre-Professional Technique & Repertory
Semester offered: Spring 2017 Instructor:
Pre-professional/Advanced ballet or modern technique with modern and contemporary ballet company repertory rehearsal and performances. This class meets 2 days per week, 3 hrs. 10 minutes per day with additionally scheduled rehearsal and performance times TBA. This course is a continuation of, and supplement to, PMA 3210 and PMA 3220.
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PMA 4300 : Advanced Dance Composition I
Crosslisted as: PMA 2300, PMA 3300, PMA 4301, VISST 2511 Semester offered: Fall 2017 Instructor:
Students work on advanced choreographic problems, to be presented in performance. Work in progress is critiqued by faculty members on a regular basis.
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PMA 4301 : Advanced Dance Composition II
Crosslisted as: PMA 2300, PMA 3300, PMA 4300, VISST 2511 Semester offered: Fall 2017 Instructor:
Continuation of PMA 4300. Intermediate choreographic projects are critiqued in progress by faculty and peers. Consideration of design problems in costuming and lighting.  Weekly assignments in basic elements of choreography. Students compose and present short studies that are discussed and reworked. Problems are defined and explored through class improvisations. Informal showing at end of semester. Includes informal showing of work.
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PMA 4351 : Transpositioning the Body II
Crosslisted as: PMA 3351 Semester offered: Fall 2017 Instructor:
This course continues the work done in PMA 3351. At an advanced level, this course will further explore the choreographic and design principles of contemporary choreographer, William Forsythe, who began his tenure as an A.D. White Professor-at-Large in 2010. The course will begin by using tools developed by Forsythe in his CD ROM, Improvisation Technologies and will continue to be structured through student and faculty consultation. The long term goal is to establish curriculum that can continue to develop new performance and installation work based on Forsythe's philosophies in his various fields of interests and how they relate to concert dance. Collaborations between fields such as dance, architecture, engineering and other design fields will be cultivated.
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PMA 4351 : Transpositioning the Body II
Crosslisted as: PMA 3351 Semester offered: Spring 2017 Instructor:
This course continues the work done in PMA 3351. At an advanced level, this course will further explore the choreographic and design principles of contemporary choreographer, William Forsythe, who began his tenure as an A.D. White Professor-at-Large in 2010. The course will begin by using tools developed by Forsythe in his CD ROM, Improvisation Technologies and will continue to be structured through student and faculty consultation. The long term goal is to establish curriculum that can continue to develop new performance and installation work based on Forsythe's philosophies in his various fields of interests and how they relate to concert dance. Collaborations between fields such as dance, architecture, engineering and other design fields will be cultivated.
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PMA 4420 : Cinematography
Semester offered: Spring 2017 Instructor:
Students crew together on a series of short exercises and projects using both film and digital cameras.. The course explores principles and tools of lighting and camera techniques used in visual storytelling covering topics such as people, environment, spatial relationships, movement, color, and continuity.
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PMA 4501 : Special Topics in Cinema and Media Theory
Crosslisted as: PMA 6501 Semester offered: Fall 2017 Instructor: Description
PMA 4504 : The City: Asia
Crosslisted as: ASIAN 4423, ASIAN 6623, FGSS 4504, FGSS 6504 Semester offered: Spring 2017 Instructor:
This course uses the lens of temporality to track transformations in notions of urban personhood and collective life engendered by recent trans-Asia economic shifts. We will develop tools that help unpack the spatial and cultural forms of density and the layered histories that define the contemporary urban fabric of cities such as Hanoi, Bangkok, Shanghai, and Hong Kong. The course combines the investigation of the cinemas and literatures of the region with the study of recent writing on cities from Asian studies, film studies, queer theory, urban studies, political theory, religious studies, cultural geography, literary theory, and anthropology.
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PMA 4512 : What was Film?
Crosslisted as: COML 4312, GERST 4312, STS 4821 Semester offered: Spring 2017 Instructor:
In retrospect, was film anything more than some highly flammable strips of celluloid? Taking its cue from the "digital turn," this course rephrases a traditional question asked in film theory about the nature of the medium (What is film?) in terms of a historical question: What was film when it was still something to be cut, wound up, and carried around, a thing with a literally explosive potential? Reframing the object of study in this manner will help situate familiar narrative cinema within more unfamiliar scientific, aesthetic, and experimental contexts. Early film theorists saw great potential in the new medium, thought to be capable of conveying a new experience of movement and time, creating a new art of light and shadow, or functioning as a new kind of scientific instrument. Screenings will put readings of early film theory in dialogue with early European silent films that address similar concerns about the nature of cinema, such as A Trip to the Moon (1902), The Cabinet of Dr. Caligari (1920), The Adventures of Prince Achmed (1926), and Man with a Movie Camera (1929).
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PMA 4585 : Advanced Film and Video Projects
Crosslisted as: VISST 4793 Semester offered: Spring 2017 Instructor:
Intensive filmmaking/media production course in which students focus on developing and producing an accomplished creative project over the semester (16mm, HD, sound art, and multi-media are all options). Proposed projects can be in any stage (pre-production, production, or post-production), and class serves as a laboratory and collective workshop to hone and advance the artistic vision of each student. Classes will be project-oriented and focus on problem-solving and group critique sessions, and will incorporate readings, screenings, and visiting artists.
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PMA 4607 : Advanced Undergraduate Practice as Research in Dance
Semester offered: Fall 2017 Instructor:
A studio practicum that is the culmination of several semesters of coursework in choreography and design, this course is the student's preparation for an end of semester public presentation of an original experimental creative work focusing on the moving body. The student must exhibit strong competency in dance technique and show promise in choreography and group organizational skills to be accepted into the course.
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PMA 4608 : Advanced Undergraduate Practice as Research in Design
Semester offered: Fall 2017 Instructor:
AUPR in Design is a capstone experience in practice as research. Student take a leadership role as a designer, working with faculty as peers on a fully supported departmental production. After taking courses in an appropriate design sequence, in consultation with a faculty mentor, gathering experience on production both in and outside the department, and exhibiting the necessary ability and drive, students may be invited to this program by the faculty mentor in their area of concentration.
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PMA 4608 : Advanced Undergraduate Practice as Research in Design
Semester offered: Spring 2017 Instructor:
AUPR in Design is a capstone experience in practice as research. Student take a leadership role as a designer, working with faculty as peers on a fully supported departmental production. After taking courses in an appropriate design sequence, in consultation with a faculty mentor, gathering experience on production both in and outside the department, and exhibiting the necessary ability and drive, students may be invited to this program by the faculty mentor in their area of concentration.
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PMA 4609 : Advanced Undergraduate Practice as Research in Directing
Semester offered: Fall 2017 Instructor:
The purpose of this course is to give interested and able undergraduate students the ability to gain skill and experience in the practice and art of directing.  To be considered for the AUPR-Directing, a student must first complete or be in the process of completing a series of demanding courses and experiences to assure that the student is ready to undertake the direction of a fully supported, PMA theatre production in the Schwartz Center.
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PMA 4620 : Lighting Design Studio II
Crosslisted as: VISST 4563 Semester offered: Spring 2017 Instructor:
Concentrates on designing lighting for different genres of performance in various venues. Emphasis is placed on developing both the visual sophistication and the technical artistry of the lighting designer. Commitment, personal style, and professional presentation are stressed.
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PMA 4660 : Adaptation: Text/Theatricality
Crosslisted as: VISST 4260 Semester offered: Spring 2017 Instructor:
Mounting a script into a show is a process of adaptation from page to stage. This course challenges the boundaries of text to discover the possibilities of performance. Asks: How do we translate inspiration into tangible (or intangible) theatrical imagery? Working in workshop format as actors and writers, students explore the process of developing theatre pieces based on a variety of sources. 
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PMA 4680 : Prison Theatre and the Possibilities of Transformation
Semester offered: Spring 2017 Instructor:
To explore cultural aspects of imprisonment through a focus on theatre produced by those incarcerated.  Does making theatre in prison seem to assist in transformation? Students create work with PPTG members in lab sessions, do narrative interviews, create annotated Internet data base.
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PMA 4800 : Advanced Scene Study
Semester offered: Spring 2017 Instructor:
This class focuses on advanced challenges for the stage presented by particular authors or plays that have a particular stylistic or structural demand. Focuses on advanced challenges for the stage. Monologues and scenes are drawn from Shakespeare and classical sources.
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PMA 4801 : Advanced Studies in Acting Techniques
Semester offered: Spring 2017 Instructor:
Class members can expect to attain greater vocal resonance and articulation as well as to improve flexibility, strength, and stamina through the course of the semester.
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PMA 4820 : Agents of Change: Community Organizing for the Public Good
Crosslisted as: DSOC 4820, NTRES 4820 Semester offered: Spring 2017 Instructor:
Democracy is more than a system of government. It's a way of life. It's a kind of politics that involves the development and exercise of power and the performance of civic roles on and off public stages. How can we achieve the promise of democracy in today's world? How can we engage in public work as effective and ethical change agents of change? And how can we build and sustain a public culture that develops and honors the knowledge, talents, capacities, and expertise of a diverse population? We will take these questions up together in this course through case studies, personal experiences, readings, narrative interviews, skill-building workshops, and field trips.
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PMA 4825 : Staging Dissent: Theater and Social Change
Crosslisted as: PMA 6825 Semester offered: Fall 2017 Instructor:
This class will explore the wide and varied application of theatrical techniques and practices to struggles for social justice in diverse historical moments, cultural contexts, and geographic locales. Framed by theoretical investigations into the relationships among performance, politics, and civic engagement, this participatory course will examine how power relations "play" themselves out in grand "spectacles," how authorities "mask" their privilege, and how social "actors" use theatricality to "(re)stage" repressive social "scripts."  We will investigate theater's function as a forum for rethinking and rehearsing notions of agency, citizenship, and community by analyzing and devising performances aimed at fomenting personal, collective, and institutional change.
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PMA 4880 : Fundamentals of Directing II
Semester offered: Spring 2017 Instructor:
Builds on the directing techniques learned in Fundamentals of Directing I. In this course each student directs actors from the Student Laboratory Theatre Company in a series of projects and public presentations focusing on specific directorial challenges.
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PMA 4950 : Honors Research Tutorial I
Semester offered: Fall 2017 Instructor:
First of a two-semester sequence (the second is PMA 4951) for seniors engaged in an honors project.  You can find the honors guidelines and form at http://pma.cornell.edu/honors.
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PMA 4951 : Honors Research Tutorial II
Semester offered: Spring 2017 Instructor:
Second of a two-semester sequence (the first is PMA 4950) for students engaged in an honors project.
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PMA 4951 : Honors Research Tutorial II
Semester offered: Fall 2017 Instructor:
Second of a two-semester sequence (the first is PMA 4950) for students engaged in an honors project.
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PMA 4952 : Undergraduate Internship
Semester offered: Fall 2017 Instructor:
Academic credit can only be awarded for unpaid internships. Students must submit an Application for Academic Credit by April 15. The Application for Academic Credit must be received/approved prior to the start of the internship. If the internship opportunity is deemed eligible for academic credit, the student pursues the internship during the summer months and enrolls in this course the fall semester immediately following the summer internship. A written evaluation of the internship experience is required. For complete information and application forms visit http://pma.cornell.edu/internships.
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PMA 4961 : Screening Blackness
Crosslisted as: ASRC 4611, SHUM 4611 Semester offered: Spring 2017 Instructor:
The seminar "Screening Blackness" provides a theoretical, cultural, and historical focus on "blackness" in film, media, and visual culture. Considering questions of performance, censorship, embodiment, pleasure, and representational politics, we will evaluate how race, particularly Black skin, has been used as a signifier and complex code for various things on screen. In doing so, we will investigate how blackness is contingent on the specifics of its historical, social, and cultural production and, yet, open to multiple and competing claims. Therefore, blackness here is less a stable racial category than theoretical motor, operated by moving and contested discourses, histories, images, meanings, and performances by Black subjects. Focusing on Black skin representation and discourses of blackness as a cultural signifier, students will watch and discuss important representations and misrepresentations of blackness on screen.
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PMA 4965 : The Body's Edge in Performance
Crosslisted as: CLASS 4602, COML 4785, SHUM 4612 Semester offered: Spring 2017 Instructor:
This course examines how skin and bodily margins in drama, performance art, and film shape the way we understand the human and its markers of identity, from the strange carapace that Oedipus presents in the ancient Theater of Dionysus to the "skin suspensions" of the post-body performance artist Stelarc. Readings and viewings include plays from the ancient, medieval, early modern, and modern periods; films by Peter Greenaway, Jenny Livingston, and Jim Jarmusch; and performances by Karen Finley and Marina Abramovic. We will explore concepts such as Julia Kristeva's abjection, Antonin Artaud's "theater of cruelty," and Georges Bataille's "visions of excess," as different ways of approaching what lies at and beyond the edges of the human.
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PMA 6441 : Aesthetics of Excess: Psycho-Philosophical Approaches to Cinematic Technologies
Crosslisted as: COML 6341, ENGL 6341, FREN 6341, VISST 6341 Semester offered: Spring 2017 Instructor:
The rise of cinema and mechanized representational technologies has provided an informative backdrop for a century long reflection on aesthetics and the excesses of affect, sentiment, and corporeality in relation to modern/postmodern formulations of subjectivity, community, politics, race, and sexuality. Emphasizing French Psycho-Philosophical approaches to cinematic technologies, the course will rehearse the intellectual backdrop for understanding this Aesthetics of Excess with readings in Freud, Bergson, Artaud, Heidegger, and Merleau-Ponty in order to frame discussion of later twentieth and twenty-first century reflections on the balance between aesthetics and cinematic and new media technologies. In dialogue with a range of films and digital artworks, we will analyze texts to be chosen from Fanon, Barthes, Simondon,Lyotard, Deleuze, Derrrida, Kristeva, Laplanche, Stiegler, Duguet, Bellour, Nancy, and Rancière.
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PMA 6501 : Special Topics in Cinema and Media Theory
Crosslisted as: PMA 4501 Semester offered: Fall 2017 Instructor: Description
PMA 6550 : Global Cinema I
Crosslisted as: PMA 3550, VISST 3175 Semester offered: Fall 2017 Instructor:
Global Cinema I and II together offer an overview of international film history from the late nineteenth century to today. Through a focus on key films and significant epochs, the course traces the evolution of form, style and genre, the medium's changing technologies and business models, as well as film's relation to broader cultural, social and political contexts. Screenings of narrative, documentary and experimental films will be accompanied by readings in film theory and history. Global Cinema I covers the period from 1895 to 1960. Precise topics will vary from year to year, but may include: early silent cinema; the emergence of Hollywood as industry and a "classical" narrative form; Soviet, German, French and Chinese film cultures; the coming of sound; interwar documentary and avant-garde movements; American cinema in the age of the studio system; Italian Neorealism; the post-war avant-garde.
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PMA 6551 : Global Cinema II
Crosslisted as: PMA 3551, VISST 3176 Semester offered: Spring 2017 Instructor:
Global Cinema I and II together offer an overview of international film history from the late nineteenth century to today. Through a focus on key films and significant epochs, the course traces the evolution of form, style and genre, the medium's changing technologies and business models, as well as film's relation to broader cultural, social and political contexts. Screenings of narrative, documentary and experimental films will be accompanied by readings in film theory and history. Global Cinema II covers the period from 1960 to the present. Precise topics will vary from year to year, but may include: "New Waves" in Italy, France, Germany, Japan; cinematic modernism; new modes of documentary; changing technologies of sound and image; avant-garde and experimental cinema; "New" Hollywood; "counter-cinema" and underground film; feminist film theory and practice; Hollywood's enduring importance; popular cinema in China, India, Brazil; the impact of television, video and the digital revolution.
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PMA 6600 : Proseminar in Theatre Studies
Semester offered: Fall 2017 Instructor:
An introduction to the theory and methods involved in the study of the theatre. Attention focuses on pedagogy and the profession in Part I. Part II explores current scholarly trends.
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PMA 6600 : Proseminar in Theatre Studies
Semester offered: Spring 2017 Instructor:
An introduction to the theory and methods involved in the study of the theatre. Attention focuses on pedagogy and the profession in Part I. Part II explores current scholarly trends.
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PMA 6701 : Nightlife
Crosslisted as: LSP 6701 Semester offered: Spring 2017 Instructor:
This course explores nightlife as a temporality that fosters countercultural performances of the self and that serves as a site for the emergence of alternative kinship networks.  Focusing on queer communities of color, course participants will be asked to interrogate the ways in which nightlife demonstrates the queer world-making potential that exists beyond the normative 9-5 capitalist model of production. Performances of the everyday, alongside films, texts, and performance art, will be analyzed through a performance studies methodological lens.  Through close readings and sustained cultural analysis, students will acquire a critical understanding of the potentiality of spaces, places, and geographies codified as "after hours" in the development of subcultures, alternative sexualities, and emerging performance practices.
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PMA 6825 : Staging Dissent: Theater and Social Change
Crosslisted as: PMA 4825 Semester offered: Fall 2017 Instructor:
This class will explore the wide and varied application of theatrical techniques and practices to struggles for social justice in diverse historical moments, cultural contexts, and geographic locales. Framed by theoretical investigations into the relationships among performance, politics, and civic engagement, this participatory course will examine how power relations "play" themselves out in grand "spectacles," how authorities "mask" their privilege, and how social "actors" use theatricality to "(re)stage" repressive social "scripts." We will investigate theater's function as a forum for rethinking and rehearsing notions of agency, citizenship, and community by analyzing and devising performances aimed at fomenting personal, collective, and institutional change.
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PMA 7000 : Independent Study for Graduate Students in Theatre
Semester offered: Fall 2017 Instructor:
Independent study in theatre allows graduate students the opportunity to pursue special interests not treated in regularly scheduled courses. A faculty member, who becomes the student's instructor for the course, must approve the student's program of study and agree to provide continuing supervision of the work.
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PMA 7000 : Independent Study for Graduate Students in Theatre
Semester offered: Spring 2017 Instructor:
Independent study in theatre allows graduate students the opportunity to pursue special interests not treated in regularly scheduled courses. A faculty member, who becomes the student's instructor for the course, must approve the student's program of study and agree to provide continuing supervision of the work.
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PMA 7100 : The Pedagogy of Theatre
Semester offered: Fall 2017 Instructor:
Provides graduate students in the field of theatre an opportunity to work directly with a faculty member to explore pedagogical theory and practice for undergraduate theatre classes in all areas of the curriculum.
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PMA 7100 : The Pedagogy of Theatre
Semester offered: Spring 2017 Instructor:
Provides graduate students in the field of theatre an opportunity to work directly with a faculty member to explore pedagogical theory and practice for undergraduate theatre classes in all areas of the curriculum.
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PMA 9900 : Thesis and Research Projects
Semester offered: Fall 2017 Instructor:
Graduate student course while working on thesis and research for dissertation.
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PMA 9900 : Thesis and Research Projects
Semester offered: Spring 2017 Instructor:
Graduate student course while working on thesis and research for dissertation.
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